(Noel got a tan as a result of the playdate)

Meet Noel

This is true

I remember looking at a beautiful, simple line drawing of a nude in a Vogue magazine six of seven years ago, getting out a pen, and drawing it on a piece paper. A few years ago when I was living in Singapore with my aunt and her family, the minimal, elegant Matisse print of a nude* was one of my favourites that were hanging on the walls. There really is no particular point that I am making here ... sorry for being so anti-climactic!
Anyway, I very much enjoy the illustrations of Garance Doré, who is very well-known and respected for her fantastic fashion journal/blog (+photography). Her drawings are my inspiration du jour. Here are a few examples, taken from her blog:




Hmm, I suppose there is a point to that previous ramble afterall - I love the simplicity, elegance and fluidity (and the fluidity of an awkward line) of line drawings! The strokes, the density, the lack of lines that these drawings are composed of ... my goodness. The whole deal excites me.

*OK, that wasn't a line drawing, but more of a negative line drawing ... hopefully that made sense??

More Bennett

"The best moments in reading are when you come across something - a thought, a feeling, way of looking at things - which you had thought special and particular to you. Now here it is, set down by someone else, a person you have never met, someone even who is long dead. And it is as if a hand has come out and taken yours."

Moving on, (if you were wondering) the word 'boredom' was invented by Charles Dickens, in Bleak House, in 1852.
I would also like to add that, I do realise that I have been writing about things not related directly to architecture. This is, and will remain a place of art, architecture and design in general ... but it is also important not to pigeon-hole yourself. To me, meaningful and evocative architecture not only self references, but also relate to (reference, and influenced by) other fields of interest. Thus, I am in an attempt to expand my knowledge by indulging in some good literature and music ... also a very summery thing to do, don't you think? I guess I can then draw a parallel to Ricky Swallow and the importance of music in his practice - he stressed this in an interview for The Age a few months ago. So, in his exhibition at NGV Australia, Ricky Swallow: The Bricoleur, there is a wee nook where he has handpicked a few sweet tunes for us.
OH, having said that, however, I am by no means saying that I am comparable to Mr. Swallow, of course.

Sorry, Jess

First try was a big fat fail. I tried to salvage the mess that I'd made by toning it (what was I thinking!), which consequently fucked up your face even more - HAHAHA oh dear.

I tried again and it turned out a little bit better (right??) ... but you look like some sort of muppet. Apologies, my friend ...

Beach ball writing

Apart from pondering and mulling over university education, I have been drawing and sketching. I have embarked on a fun holiday journey of graphic design and illustration. It's all good fun, nothing serious - it keeps me drawing. Those whom I have been drawing inspiration from include Barry Blitt, Oslo Davis and Jane Reiseger ... all fantastic. Anyway, that is all ... I feel like the more I write, the more this blog entry is becoming a beach ball, that is, without substance. Well ... here are some pretty pictures.

Jane Reiseger


Oslo Davis (He does quite a bit for The Age ... like 'Overheard')


Barry Blitt (He is probably most well known for creating the covers of the New Yorker)

"Cut to three years later, when I'm two terms away from my final examinations ...
I hadn't had a notable university career either socially or academically, and I'd never had the same sense of life opening ...
Now it was nearly over. I'd no idea what I wanted to do ...
Candidates do well in examinations for various reasons, some from genuine ability, obviously, but others because doing well in examinations is what they do well; they can put on a show."

Ominous as the above may sound, it is somewhat comforting that Bennett shares my sentiment. Having had three years of education at university, and being now a graduate, I don't feel like I have had an education. Rather, merely learning to overcome the continuous hurdles that are exams. What use is this after? Some may argue that one cannot blame the institution, the faculty or the staff, but unarguably they play an immense part of shaping that final step of formal education before being thrown into the real world. To be honest I am thoroughly unsatisfied this university education that I have received. Perhaps I am naive and an idealist, but is it so unrealistic to expect awe and inspiration from university and/or its staff? Especially in the design field. With one semester as an exception, the Rome course that me and about twenty others embarked on was a thousand times more inspiring than all the semesters put together. I have had many rubbish tutors that have given me (and others, I am sure) nought but discouragement and on their part, an unfathomable negative attitude and laziness. Certainly it is not unrealistic to expect guidance from those whom with years of experience in the field, to pass on their knowledge.

What is education? For me, I prefer Hector over Irwin any day.
(All I have been getting are Irwins. Substandard Irwins. Fuck.)*

*Oooook, I feel like I am overly whiney, but that was not my intention. I am looking forward, thus why 2010 will be so wonderful.


 

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